burning
mirror
reviews
The
List magazine recommended The Burning Mirror with four star
points
"Suhayl Saadi's
debut collection of short stories is a small treasure. His
is such a unique voice in Scottish literature it is impossible
not to get swept up in his many experiments with form and
content.
The first story sets the tone; Ninety-Nine
Kiss-o-grams sees a young lad from Govan investigating the
land inheritance his Pakistani grandfather has left in his
homeland. Heartbreaking without once being sentimental,
that Scottish/Asian musical rhythm rings through in every
line. From here things just get better, particularly The
Queens of Govan (which is like vintage Kelman), Rabia and
the swaggering gall of Killing God.
Funny, clever and complex, his Scots
Asian voice is very fresh, and reminiscent of masters like
Salamn Rushdie and Alan Warner and, on this evidence, Sadi
may soon be at the point of having few contemporary rivals.
Tricky and challenging but full
of wit and repressed wisdom."
Paul Dale, The List magazine

David Robinson, Literary
Editor of The Scotsman, did a feature review of The Burning
Mirror. Here's an extract:
"The stories… are similarly
eclectic in theme, from a harassed woman in a Govan kebab
shop to the mind of an 8,000-year-old genie, a wartime Bosnian
love story to one about bonded workers in a Pakistani brick-making
village…
Determined to avoid restricting
his fiction to purely Scottish Asian themes, Saadi's work
draws deeply on the mythic - although for him the kind of
films and song lyrics that sink into deep memory count for
just as much as, say, the mediated Celtic myths that seep
into at least four stories of The Burning Mirror…
The vibrancy of Saadi's writing
is itself a burning mirror to that of Scottish writing as
a whole."
David Robinson, The Scotsman

And this, from Eastern
Eye newspaper:
"The author skilfully takes
the reader on a magic carpet that touches down in unlikely
places, touching subjects that you wouldn't think of - a
perfect example being a love story set during the Balkans
War. Saadi's writing is like a simple key that unlocks a
Pandora's box with stories that are surreal and simple standing
side-by-side. If… there were less slang in some of
the stories, this would have been one of the books of the
year."
Asjad Nazir, Eastern Eye
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