2002
- 2003
2002
January
- March
>
Ran a linked series of workshops, sponsored by Consignia,
in Maryhill, Glasgow.
Feburary
> Recorded some of the stories The
Burning Mirror in 'poeticised' form with backing music,
in conjunction with the innovative audio-visual company,
'55 Degrees'.
>
Worked with poets Adel Karasholi and Dragica
Ragcic via the Goethe-Institut
and the Scottish Poetry Library on the M/other Tongues creative
translation project.
March
> Saadi was the adjudicator for the General Short Story
section of the Association of Scottish Writers Competition.
>
Judge in West of Scotland Community Relations Council's
annual poetry competition for schools.
>
Read at Borders bookshop with writers from Glasgow's refugee
communities in an event organised with Scottish PEN, which
campaigns internationally for imprisoned and oppressed writers.
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April
> Wrote and delivered monologue on Anna Magnusson’s
BBC Radio Scotland programme, ‘Still Lives’.
>
Proposed for a place on the Scottish Arts Council’s
Literature Committee and for the position of Chair of the
New Writers’ Bursaries Committee.
May
>
Read in Edinburgh with Bernard MacLaverty at the Scottish
Writers’ Festival at the ‘Hills of Home’
event.
>
Short story, ‘The Long Man’, set in the south
of England, commissioned by the charity, ‘Writability’.
June
> Poem by Saadi used in Glasgow Art School graduation
show booklet called 'And then we all went home'.
>
Essay, ‘Behind the Donkey’s Mask’ written
for London-based independent think-tank, ‘The Foreign
Policy Centre’ on the theme of the post-Trade Towers
attack mood in relation to Muslims in the West.
July
> ‘The Burning Mirror’ featured in ‘Asian
Culture Club’ magazine.
August
> ‘Ninety-Nine Kiss-o-grams’ broadcast UK-wide
on BBC Radio 3 during the Edinburgh Promenade concerts.
> The essay, ‘Being Scottish’ published in
book of the same name (eds. Tom Devine and Paddy Logue).
>
Ghost story, ‘The Gless Hoose’ (aimed at 11-14
year-olds) commissioned by Itchy-coo Publishers.
>
Read at annual Citizens’ Advice Bureau Conference
in Dundee.
>
Read from forthcoming novel, ‘Kings of the Dark House’,
to a full house at the Edinburgh International Book Festival.
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October
> Saadi’s essay, ‘Dance of the Albatross:
A Modulation on Art and Politics’ to be published
in booklet accompanying visual art/dance exhibition Talacchanda:
The Rhythm of the Plan’ at Glasgow’s Tramway
theatre. This exhibition was organised by, and featured
the work of, Glasgow School of Art artist, Ranjana Thapalyal.
November
>
Delivered lecture at British Council-organised 'Whose History
is it Anyway?' Conference in Brussels.
> Saadi edited 'Shorts 5' which was
launched at the awards ceremony of the annual Macallan/Scotland-on-Sunday
Short Story Competition.
December
> Poem, set to music by composer Tommy Fowler to be sung
by Dunedin Consort on their scheduled tour of Britain.
>
Launch
of football fiction book, sponsored by the Hampden Museum
and design company, ‘Freight Design’,
and containing Saadi’s story, ‘Sufisticated
Football’.
>
Commissioned to write two pieces for the Paradise Garden
Carpets project/exhibition at the National Museum of Scotland
in Edinburgh.
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2003
January
> Broadcast of a radio programme on BBC Radio Scotland
from Rosslyn Chapel near Edinburgh. Saadi had picked this
place as being of special significance, spiritually, architecturally
and poetically, in Scotland
February
> Anthology of Scottish football fiction, The Hope That
Kills Us, published by Freight Design and launched at the
Scottish National Stadium at Hampden Park, Glasgow.
>
Slovenian publisher brought out a compilation of Scottish
short stories in Slovenian, which will include Ninety-Nine
Kiss-o-grams.
>
Read with Anne Donovan at the MacRobert Arts Centre, Stirling.
March
> Short story, Extra Time in Paradise, commissioned and
published by Celtic View magazine (official weekly glossy
magazine of Celtic Football Club).
>
Guest reader at the Cromarty Book Festival.
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April-May
> Guest reader in Lerwick, Shetland at launch of book
by Raman Mundair (see link).
>
San Diego-based web magazine, Storyglossia published short
story, The Pier, set during high summer on the south coast
of England (www.storyglossia.com).
> Traveled to New York City, USA, at the invitation of
Hanging Loose Press and with the kind help of the Scottish
Arts Council, via their Professional Development (Lottery)
Fund. Read at the Bowery Poetry Club and facilitated several
workshops in Manhattan at the invitation of the NYC-based
Teachers’ and Writers’ Collaborative.
>
New York-based ‘Hanging Loose Press’ published
an excerpt from Saadi’s
forthcoming novel, Psychoraag in their anthology of contemporary
Scottish fiction, Word Jig.
>
Guest on a BBC Scotland Arts programme about flamenco.
June
> Read at Radical Book Fair, Edinburgh.
>
As one of the editors (along with Meaghan Delahunt and Elizabeth
Reeder) of forthcoming prose anthology, A Fictional Guide
to Scotland (Open Ink), read at the West End Festival in
Glasgow.
>
Read at the opening of the Hidden Gardens, Pollokshields,
Glasgow.
>
San Diego-based web magazine, Storyglossia published short
story, Braga, a tale of the fin-folk, set in the Orkney
Isles (www.storyglossia.com).
July
> Guest reader at the Scottish Universities International
Summer School in Edinburgh.
>
Appeared on the Colin MacKay Show, discussing, among other
things, the nature of evil.
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August
> Appeared with Anne Donovan at the Edinburgh International
Book Festival.
>
Excerpt from forthcoming novel, Psychoraag, broadcast on
BBC Radio 3.
>
Article on the Hidden Gardens Project to appear in Indobrit
(London-based, British South Asian cultural/arts) magazine.
November
> Invited by the British Council to attend and produce
a written report on the forum on Creativity and Creative
Entrepreneurs in Brussels.
December
> Commissioned to write a stage-play, 'Saame
Sita', to run throughout December at the Theatre Workshop,
Edinburgh. The play, aimed at both adults and children,
is based around the folktales of the Saami people of northern
Scandinavia. Find out more on: www.theatre-workshop.com
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