The
List magazine recommended The Burning Mirror with four star points
"Suhayl Saadi's
debut collection of short stories is a small treasure. His is such
a unique voice in Scottish literature it is impossible not to get
swept up in his many experiments with form and content.
The first story sets the tone; Ninety-Nine Kiss-o-grams sees a young
lad from Govan investigating the land inheritance his Pakistani grandfather
has left in his homeland. Heartbreaking without once being sentimental,
that Scottish/Asian musical rhythm rings through in every line. From
here things just get better, particularly The Queens of Govan (which
is like vintage Kelman), Rabia and the swaggering gall of Killing
God.
Funny, clever and complex, his Scots Asian voice is very fresh, and
reminiscent of masters like Salamn Rushdie and Alan Warner and, on
this evidence, Sadi may soon be at the point of having few contemporary
rivals.
Tricky and challenging but full of wit and repressed wisdom."
Paul Dale, The List magazine
David
Robinson, Literary Editor of The Scotsman, did a feature review
of The Burning Mirror. Here's an extract:
"The stories
are similarly eclectic in theme, from a
harassed woman in a Govan kebab shop to the mind of an 8,000-year-old
genie, a wartime Bosnian love story to one about bonded workers
in a Pakistani brick-making village
Determined to avoid restricting his fiction to purely Scottish Asian
themes, Saadi's work draws deeply on the mythic - although for him
the kind of films and song lyrics that sink into deep memory count
for just as much as, say, the mediated Celtic myths that seep into
at least four stories of The Burning Mirror
The vibrancy of Saadi's writing is itself a burning mirror to that
of Scottish writing as a whole."
David Robinson, The Scotsman
And this, from Eastern Eye newspaper:
"The author
skilfully takes the reader on a magic carpet that touches down in
unlikely places, touching subjects that you wouldn't think of -
a perfect example being a love story set during the Balkans War.
Saadi's writing is like a simple key that unlocks a Pandora's box
with stories that are surreal and simple standing side-by-side.
If
there were less slang in some of the stories, this would
have been one of the books of the year."
Asjad Nazir, Eastern Eye
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